Tuesday, June 9, 2009

Waldemar Matuska RIP....



By Ruth Ellen Gruber

I'm sad to report that the legendary Czech singer and actor Waldemar Matuska has died at his home in Florida, at the age of 76.

Matuska was a towering figure in Czech popular music and culture and was instrumental in popularizing American folk and country music to the Czech audience. (Singing, as was required under communism, Czech lyrics to American songs.) He also appeared in the seminal 1964 movie "Limonady Joe" -- a wonderful send-up of the singing cowboy genre of movies and a classic of Czech cinema.

Matuska was important to me in my connection with Eastern Europe, and in my feel for the music and popular culture of the Czech Republic in particular. He became my idol when, as a kid, I spent the summer in Prague with my family in the 1960s. I bought picture postcards of him -- he was lean, bearded and extremely handsome. And I convinced my entire family to go hear him at a rather weird performance of "Rosemarie" at a sort of indoor sports arena...Matuska played the role of the mountie that was taken by Nelson Eddy in the classic movie. I remember that it was a rather static performance, as they all seemed to sing to the microphones that were hanging prominently above the stage...

When I actually met Matuska decades later, at the Strakonice Jamboree folk and bluegrass festival in the Czech Republic in 2004, it was a remarkably emotional experience. I had just begun following the European country scene, and Strakonice was my first Czech festival. And there he was -- the idol of my youth!

Matuska -- who had "defected" to the United States in 1986 but, after the fall of communism, returned frequently to CZ to tour -- was the headline act. Heavier, even bloated-looking, with clearly dyed hair, he didn't look much like the slim, handsome singer/actor of the 1960s, but he had the audience in the palm of his hand.



I went backstage and spent 20 minutes or so talking with him. I felt shy and fluttery! What I remember are his hands -- very small and delicate, with polished nails and an almost dainty ring.



My friend Lilly Pavlak -- who was also there at Strakonice (I think that may be where we met) wrote the following memoir of him:

On Saturday 30 May the country & western music world lost one of its most famous Czech sons. The singer and actor Waldemar Matuška died at his home in St Petersburg, Florida, from pneumonia and heart failure, aged 76. Waldemar Matuška, a charismatic personality known by the whole loving nation as 'our Walda', was one of the most memorable voices of the twentieth century. His career lasted over four decades. He recorded about thirty albums and starred in more than twenty movies, including the award-winning 1968 film All my countrymen by Vojtech Jasny. He was the opposite of his show-business friend Karel Gott, as a rebel, hothead, and tramp. His beautiful baritone and black full beard earned him enormous popularity, and he played several instruments – most people remember him as a banjo man. He had his first hit in 1960, and two years later he won the first Golden Nightingale ever awarded for the best Czechoslovak singer. The second time for him was again in 1967. He toured the world, Paris, London, Nashville – where he performed several times with his band K.T.O. in the 1970s. Bill Monroe told me once he liked Matuška very much – even though, as he said, his music was more 'Czech grass' than real bluegrass. In 1986 Matuška decided to leave communist Czechoslovakia and settled with his family in St Petersburg, Florida. He was already ill with severe asthma, and the climate there was much better for him than in Prague. After the fall of the communist regime in 1989, he visited frequently his old homeland. His last public appearance there took place in 2007. I saw him for the last time at the Jamboree Festival Strakonice in 2004. This year, at the same festival, we learned of his passing. We held a minute of silence and his friends sang his song for him. His last wish was to lay him to rest in the Czech Republic. The last farewell ceremony is supposed to be held in Prague on 21 June. You will live forever in your music in our hearts, dear Walda! Lilly Pavlak Bülach, Switzerland, 8 June 2009

Nashville considers overseas country music


Dierks Bentley, Country Rendez-vous, Craponne, France, 2008. Photos (c) Ruth Ellen Gruber


As the Country Music Association's annual festival and fan fair kicks off in Nashville, the AP runs a story about American country music artists touring and trying to reach an international audience. Readers of this blog will have seen reports and pictures of mine on several American country and western (and bluegrass) acts on the road here in Europe. Some big name acts tour, but most of the acts on the European circuit are independent, lesser known or niche performers. They play at some of the dozens of country music and bluegrass festivals held around the continent from spring into the fall, and also at clubs, saloons and even concert halls. (Kris Kristofferson performed a couple years ago in one of Vienna's top classical music venues -- a wild scene with the audience in cowboy hats and boots, amid the rococo decor.)

Writer John Gerome starts his AP article with an interview with Dierks Bentley about a recent tour of Australia with Brooks and Dunn and then looks at other acts who tour, mentioning the size of the market.
Few contemporary country hitmakers tour outside North America with regularity. The international market for country isn't anywhere near what it is in the U.S., and the cost of hauling a crew, band and equipment across continents is brutal.

"Most country acts are reluctant to go overseas because they can't make the same money," remarked Joe Galante, chairman of Sony Music Nashville. "But you have to go there and spend some time and build a marketplace."

A few are making a go of it. Besides Bentley, Keith Urban regularly tours abroad. Brooks & Dunn, Sugarland and Taylor Swift are also making inroads. Alan Jackson and Martina McBride are both preparing to play shows in Europe.

Read full article


I saw Dierks Bentley himself, in fact (along with Asleep at the Wheel and others) at the Country Rendez-vous festival last July in Craponne France.

The Country Rendez-vous, one of the premiere country music festivals in Europe, always books American artists as the vast majority of its acts. Its roster over its more than 20 years of history is impressive -- everyone from the father of bluegrass Bill Monroe to Marty Stuart, Joe Ely, the Derailers, to Billy Joe Shaver, Mark Chesnutt, Guy Clark, Alison Krauss & Union Station, Rhonda Vincent, Whiskey Falls, and many, many more -- see a more complete list by clicking HERE.

Ray Benson of Asleep at the Wheel. Country Rendez-vous, Craponne, France 2008. Photo (c) Ruth Ellen Gruber

The Country Night in Gstaad, Switzerland each September also features mainly U.S. acts. This year's headliner will be Kenny Rogers.

Other acts that have toured recently include Ricky Skaggs, banjo great Tony Trischka, Kris Kirstofferson, Lynne Anderson, Roseanne Cash, Dale Watson, and on and on.

For more about country music in Europe -- see earlier blog posts here, or take a look at the lengthy paper I wrote (you can access it from a link in the sidebar).

Sunday, May 31, 2009

Who are Country Music Fans?

Here's another article about the recent survey of fans of country music, showing how the poll busted stereotypes.

By Brian Dugger, May 30, 2009

A lot of stereotypes are floating around about country music fans. A lot of them aren't flattering and usually involve pickups and guns.

Well, a recent study by the Country Music Association indicates that yes, some fans like to hunt and fish and drive pickups, but the typical fan is pretty much like every other American.

"The key finding of our study is that 40 percent of adults between the ages of 18 and 54 are fans of country music, and there is no significant age or income gap from noncountry music fans. They are more likely to be from a small town and female," said Dan Bowen, the vice president of strategic marketing and communications for the CMA.

Even more specifically, the core country music fan is between the ages of 25 and 39, according to the study, which involved close to 8,000 people who agreed to telephone interviews or online surveys.

Read Full Article
This survey is about American fans, but it translates into Europe, where stereotypes about country music fans and followers are even more widespread -- and harsher.

As my friend Walter Fuchs wrote in his book Das Neue Grosse Buch der Country Music (Koenigswinter: Heel, 2005):

"[T]hat the German language country song, [. . .] with its interpreters dressed up like cowboys and its partly banal to infantile text has brought the altogether serious German Country Music scene into discredit is undisputed. Numerous friends of country music often do not dare to 'out' themselves in front of their friends for fear of being identified as a fan of German language country songs. [. . .] The German language country song and the original country song from the U.S.A. are worlds apart."
I keep returning to this theme -- and I've already posted here about European country singers who tackle these stereotypes in their songs -- the Polish Lonstar, for example, with his song "What's that Country Thing." And even Don Jensen with the iconic "Sauerkraut Cowboys."

Friday, May 29, 2009

Metafilter post on European Country Music

Country music festival, Ustron, Poland. 2007. Photo (c) Ruth Ellen Gruber

There was a link in a comment to this blog from this metafilter post -- so I am linking back. It's a good introduction to the European country music scene. Followers of this blog will already be familiar with a lot of the material, and more....

Sauerkraut Cowboy -- Don Jensen Sings the Song

I posted this more than a year ago on my youtube channel -- but I've finally got to post it on this blog.

Don Jensen, the American-German country singer, performs his iconic song "Sauerkraut Cowboy" live at the Country Music Messe in Berlin.

Thursday, May 28, 2009

Bluegrass -- EWOB report

The European World of Bluegrass has come and gone (last weekend) and, as I reported earlier, I was unable to attend because of other commitments...

But -- you can see pictures and a report at the EWOB web site and also at the EBMA blog.

Organizers say there was perfect weather and record attendance this year.

Winners of the band competition and fan vote were:

#1 European Bluegrass Band 2009:
1. Downtown Ramblers, Sweden (www.downtownramblers.com)
2. G-Runs ‘n Roses, Czech Republic (www.g-runs.com)
3. Kreni, Czech Republic (www.sweb.cz/bgkreni)

Audience Popularity Award 2009
1. Blackjack, CZ (www.blackjackband.cz)
2. Bluegrass Stuff, Italy (www.bluegrass.it)
3. Sunny Side, Czech Republic (www.sunnyside.cz)

I've heard most of these bands perform at other festivals and have interviewed some of their musicians. As usual, the Czech bands demonstrated -- with their popularity, prowess (and sheer number, I guess) -- how deeply rooted bluegrass is in CZ.

Here's a picture of Sunny Side in action -- at the Caslav Banjo Jamboree a couple years ago:

Photo (c) Ruth Ellen Gruber

My Article to Appear in The Western Way magazine

Truck Stop plays Pullman City Harz, July 2007. Photo (c) Ruth Ellen Gruber

I've learned that a (short) version of "Sturm, Twang and Sauerkraut Cowboys," the long essay/paper I wrote on the European country music scene, is to appear this summer in The Western Way Magazine, published by the Western Music Association. The magazine is described as the only professional magazine dedicated to the promotion of western music. Yee-Hah! I'm trying to whittle down my pictures to send the editor just four or five.... not easy!

Even as a shorter piece, I'm looking forward to seeing it in print. I presented versions of the paper last year (and the end of 2007) in various venues, including the International Country Music Conference in Nashville, and at the Autry National Center in LA.

Meanwhile, I've posted a pdf of the long version on my web site. Click HERE -- I'll also put a link in this blog's sidebar.