Wednesday, May 22, 2013

Cowboy chambre in France


Lobby of the hotel at Pullman City Hartz. Photo © Ruth Ellen Gruber



By Ruth Ellen Gruber


I love finding "wild west" places to stay (and eat) here in Europe. Restaurants, cafes and saloons are not hard to come across -- and a lot of them feature music. But hotels are something else.

Most wild west theme parks have old fashioned style hotels in their wild west towns -- but alas, I've never managed (or afforded) to stay in one of them.

I did have a memorable stay a few years back in the "Little Texas" hotel in Iasi, Romania .... it seemed a lot simpler place in 2006 than it looks now, at least on the web site. (And I don't remember it being four star).

Here's what the web site says now:

THE FAMOUS AMERICAN HOTEL AND RESTAURANT IN IASI, ROMANIA CREATING A LITTLE PIECE OF TEXAS - SINCE 1997 
Just breeze through our authentic old west swinging saloon doors and you are immersed in the Old Southwest. Original & unique American cowboy decor combines with a warm and inviting ambiance. Rich massive wood and great country music conspire to create the sensation that indeed you have stepped into an American Restaurant of yesteryear. Our friendly and attentive staff is on hand to ease you out of the hectic day and into the "Little Texas Experience". Relax and unwind amidst the splendor of our magnificent restaurant garden terrace. Slake that burning thirst from the long dusty trail with a refreshing smoothie drink, a house specialty. 
Little Texas features 32 four star hotel rooms & suites, each with custom crafted American furnishings including large beds especially designed with your best night's sleep in mind. Each room features a fully stocked mini-bar, free wi-fi access, air-conditioning, direct-dial phones and flatscreen TV. 
Most hotel rooms enjoy a stunning panoramic view over the garden and the city below.
All rooms include our full American ala carte breakfast, featuring fluffy pancakes, tasty waffles--piping hot, homeade maple syrup, the perfect omelette--made your way or eggs-crisp bacon with hash browns. 
Our all original Tex-Mex menu offers a Texas size solution for that ranch hand hunger. Sink your teeth into our signature steak, the famous "Little Texas platter"-marinated filet mignon, available with all the trimmings; twice baked potatoes, hand made nachos, sauteed vegetables and spindle top salad. For dessert polish off a slab of our fresh baked double crust apple pie ala mode or the irresistible Texas mud cake - for an explosion of rich chocolate! 
Our Alamo conference room is the ideal choice for your next meeting or event. Fully equipped for your every need, the Alamo room provides a private and discreet setting with a secluded adjoining terrace surrounded by the breathtaking beauty of nature.
Let our experienced and caring staff help plan and organize your next special event, whether a corporate gathering, wedding, anniversary, baptism, party or concert - for groups of up to 150. 
LITTLE TEXAS HOTEL AND RESTAURANT, AMERICAN OWNED AND OPERATED!

I recently came across another place -- this time in France, in the beautiful southern Dordogne area.

The Laboucario Ranch looks like a Saloon and offers "Chambre d'Hôtes Country Western."

I'd love to check it out!






Sunday, May 19, 2013

Exhibit on Lucky Luke opens June 2


An exhibit on the cartoon cowboy Lucky Luke opens June 2 at the Karikatur Museum in Krems, Austria -- I'm hoping to get there to see it. Lucky Luke is an immensely popular comic book series created in the 1940s by the Belgian cartoonist Maurice De Bevere, better known as Morris.

The exhibition will run until November 17. It will include original drawings as well as material about the Imaginary Wild West (and -- maybe -- the historic one) and there are various events connected to it.

Enter the world of Lucky Luke on his web site.

For further information about the exhibition, see the web site or contact (or visit) the Museum:

Steiner Landstraße 3a
A-3500 Krems-Stein
T: (+43-2732) 90 80 20
F: (+43-2732) 90 80 21
office@karikaturmuseum.at

Monday, May 13, 2013

Rawhide (Belgium) awarded honor at European World of Bluegrass


Congratulations to the Belgian band Rawhide, which received the 2013 "Liz Meyer-European Innovation of Bluegrass Music Award" at the European World of Bluegrass festival and trade show (EWOB) May 9-10-11..

The European Bluegrass Blog reports:

The most active band throughout the history of EWOB -- having performed in Voorthuizen every year since 1998 -- Rawhide was selected as the winner of this year's Liz Meyer European Innovation of Bluegrass Music Award in recognition of their long-running success in bringing bluegrass music to a broader audience. 
In its 35-year history, the band has developed its own unmistakable and immediately recognizable sound, and has become an undeniable presence and driving force in the European bluegrass scene.The members of Rawhide have combined their vocal and instrumental proficiency, their love of traditional bluegrass and their expertise in numerous other musical genres with imagination, creativity and humor, to create a unique sound and stage show that has extended the borders of bluegrass music in Europe.

Liz Meyer, a singer-songwriter, died in 2011 at the age of 59 after a decade-long battle with cancer. Liz, an American who had lived in the Netherlands for a quarter of a century, was a leading figure in the European bluegrass scene and a major organizer and promoter for the EWOB.




Friday, May 3, 2013

First European Images of Native Americans?

Photo courtesy of Vatican Museums


The Vatican says that the restoration of a fresco from 1494 appears to have revealed the earliest European depiction Native Americans.

According to an article in the Vatican newspaper L'Osservatore Romano, the tiny images of nude, figures wearing feathered headdresses came to light during the restoration of a fresco of Christ's Resurrection by Pinturicchio in the Borgia Apartments of the Vatican.

"The naked men, who appear to be dancing, were spotted by a restorer, Maria Pustka, as she removed centuries of grime," writes Nick Squires in The Telegraph. A sketched horse can also be seen.

In the Osservatore Romano article, Antonio Paolucci, the director of the Vatican Museums, suggests that the figures were inspired by Christopher Columbus's own description of native people encountered on his first trip to the "new world" just two years before the fresco was completed.

Cardinal Rodrigo Borgia became pope in August 1492, two months before Columbus set foot in the Americas, and, like other European leaders, he was "interested in the New World," Parolucci wrote.

“What if the early impression of those naked men, good and even happy, who gave parrots as gifts and painted their bodies black and red, came to life in the small dancing figurines in the background of Pinturicchio’s Resurrection?” he wrote. This would then be, he added, "the first figurative representation of native Americans."


See articles in The Telegraph  and Religion News Service



Tuesday, April 16, 2013

Kids Cowboy Costumes Stolen in Scotland

Hmmm.

Police in Scotland say hundreds of pounds' worth of children's cowboy dress-up costumes were stolen last week in the break-in to a shed in the northern town of Fraserburgh.

STV news quoted a police spokesman as saying:

“As a result of the incident, a quantity of children’s black and white cowboy dressing up costumes, worth a low three-figure sum, were stolen.”

Saturday, March 23, 2013

Big Exhibition on the Iroquois Opens in Germany


By Ruth Ellen Gruber

A major exhibition on the Iroquois has just opened in Bonn, Germany at the Art and Exhibition Hall of the Federal Republic of Germany.

"On the Trails of the Iroquois" opened March 22 and will run until August 4. Accompanying it is an outfoor installation -- "The Iroquois Longhouse and The Iroquois Garden Landscape" -- which features the reconstruction of an Iroquois longhouse.

The exhibition description notes:

Of the hundreds of Native American peoples, only a few have over the centuries engaged the European and Euro-American imagination to the extent that the Iroquois did. This fascination is in a large measure due to the outstanding role the Five (and later Six) Nations played in the arena of colonial encounters in seventeenth- and eighteenth-century North America, which gained them a reputation as fierce warriors and skilled diplomats and is also reflected in a host of fictional literature. But European interest has always far exceeded this preoccupation with political and military excellence, and Western intellectual struggle with Iroquois culture has left enduring imprints not only on the history of anthropology, but also on popular culture, the peace and women's movements, and even efforts to establish the foundation of alternative lifestyes.

Curated by Dr. Sylvia Kasprycki, it states, the exhibition, 
will attempt to trace the development of Iroquois culture from its origins up to its vibrant articulations in the present-day United States and Canada, following their varied history through colonial times characterized by war, trade, and European missionary efforts; the subsequent weakening of their power through loss of land and political autonomy and the eventual break-up of the League after the American Revolution; the cultural transformations during the Reservation period; and their strive for sovereignty in the twentieth century up to very contemporary concerns.
Moccasins, Iroquois, Ca. 1820 
Deer skin, porcupine quills
© Museum der Kulturen, Basel
Bringing together for the first time art and artifacts from major collections in Europe, the United States, and Canada and conceived in close cooperation with Iroquois artists, curators, and intellectuals, the exhibition aspires to a multi-layered representation of both Western appropriations and imaginings of Iroquois culture as well as contemporary indigenous voices on their history and present-day identities. As Tuscarora artist and writer Richard W. Hill expressed it, "it can safely be said that today, the Haudenosaunee define themselves through their diversity," as each generation "adds to that layered definition, taking the artistic expressions of the past, the oral traditions of their ancestors, and add that to their own life experiences." This large-scale exhibition aims to portray this diversity and the Iroquois people's continuous creative adaptations to ever-changing living conditions over time, presenting approximately 500 objects on about 1600 square meters of representative exhibition space (in addition to parts of the 9000 square meters roof garden) at the Art and Exhibition Hall of the Federal Republic of Germany in Bonn.



Friday, March 1, 2013

RIP Cowboy actor Dale Robertson

By Ruth Ellen Gruber

Dale Robertson, an Oklahoma-born actor who specialized in cowboy and western roles in the movies and TV, has died at the age of 89.

I remember him best as the star of the old TV western "Tales of Wells Fargo," from 1957 through 1962.

The obit on CNN states:
The role of a cowboy was not a stretch for Robertson, who grew up on an Oklahoma horse ranch. He and his wife raised horses in Oklahoma until moving to a San Diego suburb last summer, Susan Robertson said. 
Robertson never sought formal acting training, based on advice that he should keep his own personality, according to his biography. 
In the 1966 TV series "Iron Horse," Robertson played a character who won a railway in a high-stakes poker game. 
He hosted, along with Ronald Reagan, episodes of "Death Valley Days" during the 1960s.
Film roles, also mostly Westerns, included "Devil's Canyon," "Sitting Bull," and "Dakota Incident."