(Geographically off-topic) -- Native Americans in Art and Architecture

Sculpture in Syracuse by Luise Kaish. Photo: Samuel D. Gruber

By Ruth Ellen Gruber

My brother Sam Gruber has posted a thoughtful reflection about images of Native Americans used in art and architecture in Syracuse NY, on his blog about central New York state. He posts a selection of photographs showing Native Americans as heroic and submissive.

This month there are several local exhibitions related to art by and representations of Native Americans. New art of Haudenosaunee artists is on view at the Everson Museum in the exhibition Haudenosaunee: Elements. Popular and especially commercial and advertising images American Indians fill the walls of ArtRage Gallery in an exhibition of the collection of artist Tom Huff, entitled Tonto Revisited. Tom, a Seneca/Cayuga artist living on the Onondaga Nation, has been collecting “Indian Kitsch” for over 25 years.

Images of Indians are hardly new in Syracuse, a city situated in the center of the Onondaga Nation at the heart of the Haudenosaunee (Iroquois) Confederacy. These exhibitions should make people even more attentive.

Read full post HERE

Movies -- New Canadian Documentary on Hollywood Indians

By Ruth Ellen Gruber

There's a new (or newish -- I think it came out last year) documentary out about the depiction of Native Americans in the movies. It's called Reel Injun: On the Trail of the Hollywood Indian. It's made by a Cree filmmaker with the (iconic? ironic?) name of Neil Diamond.

The movie goes over territory treated in several books, including the landmark "Playing Indian" by Philip J. Deloria.

From first glance at the web site and trailers, it looks interesting (and fun) but seems not to touch the important depiction of Native Americans in the West German Winnetou movies -- or the East German Indianer films (or any other European contruct).

The National Film Board of Canada, which sponsored the movie, has a more sober trailer:

Interestingly -- the National Film Board also sponsored an earlier documentary -- "If Only I Were an Indian"  (1995)-- that looks at Native American hobbyists in the Czech Republic.

France -- Country Music from France; Steve & Heather

My friends Steve & Heather, a country music act in France, have a new video with excerpts of their Country Party shows, filmed at several leading country venues in France. (Heather is American; Steve is French.)

More on David Dortort, the Creator of Bonanza

"Bonanza" snack bar, train station, Lodz, Poland, 2005. photo (c) Ruth Ellen Gruber

By Ruth Ellen Gruber

I have an article in Tablet Magazine today, in which I write about David Dortort, the creator of the iconic TV show Bonanza, who died in September -- I wrote about his death in an earlier post -- and tell the story the related to me about how his Uncle Harry fought with Pancho Villa....

Some years ago, when I first visited Sikluv Mlyn, a Wild West theme park in the Czech Republic, I was startled by the music piped in to the lobby of my hotel. It was the unmistakable theme song from the iconic TV show Bonanza–sung in Czech.

Bonanza, which ran from 1959 to 1973, recounted the adventures of the tight-knit Cartwright clan—the patriarch Ben, his three sons Adam, Hoss, and Little Joe—and the goings-on at their sprawling Ponderosa ranch. Syndicated to dozens of countries and dubbed into languages ranging from German to Japanese, it was one of the most popular and widely watched television shows of all time and has had a tremendous impact in honing the image of the American West around the world.
But few viewers realize how deeply rooted the show was in, well, Yiddishkeit (and not just because two of the stars—Lorne Greene as Ben and Michael Landon as Little Joe—were Jewish).

Bonanza was the brainchild of David Dortort, a pioneering television writer and producer who died in September at the age of 93. The Brooklyn-born son of Eastern European Jewish immigrants, Dortort had a lifelong commitment to Jewish causes; among other things, he and his wife Rose, who died in 2007, endowed cultural programs at the American Jewish University and Hillel at UCLA.

I discussed the Jewish underpinnings of Bonanza with Dortort during a lengthy interview at his home in Los Angeles in December 2004, as part of my ongoing research on the American West in the European imagination.

Read full story HERE

Hermann the German's new Album

"Hermann the German" at the Country Music Messe 2010. Photo (c) Ruth Ellen Gruber

By Ruth Ellen Gruber

The German country-western singer Hermann Lammers Meyer has sent me links to information on his new CD, "Nashville is Rough on the Living"-- including to this video clip of the song Honky Tonk Hearts.

I've seen Hermann, who sings, plays guitar and pedal steel guitar, perform many times -- mainly at the annual Country Music Messe in Berlin.

He has one of the longest careers in German country western music, dating back to the 1970s, and he has toured and played in Texas and elsewhere in the U.S. One of his most recent tours was eve further afield -- to New Zealand!

Country Music -- Internet radio from France

Hey -- I just added a link in the sidebar to Big Cactus Country, the Internet country music channel from France.

Gold!

Photo (c) Ruth Ellen Gruber

There's gold in them thar hills! The discovery of gold by James W. Marshall at Sutter's Mill in what is today California, on January 24, 1848 sparked the extraordinary migration of as many as 300,000 people who "rushed" to the region by land and sea to seek their fortune in search of the yellow metal.

The Gold Rush and fabled Mother Lode captured the world's collective imagination, inspiring songs and stories, literature and tall tales, as well as attracting fortune-seekers from all directions. Boom towns grew up, and prospectors and gold-panners became Wild West archetypes, part and parcel of the set of Frontier characters that ranged from Native Americans in feathered headdress to cowboys, trappers, schoolmarms and whores. Indeed, gold-panning ponds are de rigeur features of some of the Wild West theme parks in Europe, and there are gold-panner hobbyist/reenactor groups. One of these hobbyists taught me to pan for gold when I visited Beaver City, a private wild west town in the Czech Republic.

I learn to pan for gold in Beaver City

Last week, I spent a day in the "real" Gold Rush country, partaking in a mash-up of experiences that blended today's realities with the romance of the Imaginary West.

I visited Sutter's Mill itself, where a nicely laid out museum park tells the Gold Rush story through monuments, mock-ups of old buildings (reminiscent of stage-sets, theme-parks or European skansen open air museums) and preserved original sites. From the top of a hill, a monument to Sutter surveys the scene.

Photo (c) Ruth Ellen Gruber

The park includes two fascinating pioneer cemeteries, one Protestant and one Catholic, whose tombstones and epitaphs told the story of European fortune-seekers who ended up in this corner of California. (I also visited the tiny Jewish cemetery in Placerville - I posted about this on my Jewish Heritage blog.)

What was particular interesting at the cemeteries was to see the stones on which was inscribed as part of the epitaph the origin of the deceased: "A Native of Germany," "A Native of Ireland," etc etc: all drawn, one way or another, by the lure of gold.

Catholic cemetery. photo (c) Ruth Ellen Gruber

Protestant cemetery. Photo (c) Ruth Ellen Gruber

I stayed (natch) at the Mother Lode Motel in Placerville,  a tourist town in the heart of the region, where Wild West kitsch similar to that found in Europe is on sale.

Photo (c) Ruth Ellen Gruber

There is a historic 19th century hotel in town, the Cary House.

Cary House. Photo (c) Ruth Ellen Gruber

But the Mother Lode was more my price range -- and it had free WiFi, too.

Mother Lode Motel, Placerville. Photo (c) Ruth Ellen Gruber

What brought me to the Gold Rush territory also formed part of the real imaginary mash-up -- my friends, the  Czech bluegrass/country/acoustic rock band  Druha Trava, were giving a concert in Placerville on Oct. 6. (I toted my newly purchased ukulele to the gig -- I don't know how to play yet, though -- and wore, of course, my cowboy boots....)

Photo (c) Ruth Ellen Gruber

Here's some video from the show: